Athletes in Motion

Often in landscapes I will use neutral density filters (or an app on my camera) to get a long exposure time so that the single photograph will capture some of the movement in the scene around me at that time.  For example flowing water or clouds drifting across the sky.

I wanted to do the same during a portrait session with a few athlete friends of mine after being inspired by Erik Christian's photographs of basketball players.  His concept was to use a colored constant light on the model for the movement and a pop of flash at the end of the exposure to freeze the athlete.  As soon as I saw his work I quickly recreated the setup at home to practice using my son as the model.

The practice helped as it was tricky work to eliminate the background while still getting enough of the colored constant light on the model to track his motion.  To make this easier for my next session I brought in a projector connected to a laptop to provide the colored constant light.  This worked extremely well as the beam was focused and I could create any gel color and pattern I wanted with the computer display.

After the practice this was my process;  Eliminate all the ambient light, f/5.6 aperture to keep the lateral movement in focus, and raised ISO to get visible exposure of the constant light.  Then turned on Key flash and adjusted power to keep from overexposing their shirts.  I used a two second exposure and counted the two seconds aloud for the model to use as queue when to finish the movement. The best results came when the model was still for a fraction of a second to capture the starting pose and timed the finishing pose with the flash at the end of the 2 second exposure. It took several tries to get the ending timing right…

Some additional improvements I would make next time; try increasing the projector brightness and make sure the beam catches the entire model.  Add some fill light flash and/or try adding some back lighting.  Finally smoother, slower, movements by the model, like a dancer would help the aesthetics.

 

Zeiss Batis 18mm f/2.8 Wide Angle Lens for Sony E Mount Review

The Zeiss Batis 18mm f/2.8 lens for Sony E mount full frame cameras is capable of amazing landscape and astrophotography images in a lightweight package.  This is my brief review of it after six months of use for those considering buying one primarily for those reasons.

My product photography image of my *used* lens ended up as Amazon's listing image for the new version...

For my landscape and astrophotography needs a wide-angle lens must be sharp across the frame, take filters, and be f/2.8 at a minimum for night photos.  I often do significant hiking to reach my photo locations and before this lens was getting tired of carrying the Sony FE 16-35 f/4 along with a Rokinon 14mm f/2.8 and/or 24mm f/1.4.  Since it met my requirements I jumped all in, selling the Sony FE 16-35 f/4 and Rokinon 24mm f/1.4…

18mm, 1/320 at f/11, ISO 100

Overall the lens did everything I wanted, images were sharp from center to corner.  The weather sealing is great as it’s often used for close up waterfall images and being outside for hours at a time during night time timelapses.  Also it is very light and easy to carry.

18mm, 1/100 at f/11, ISO 100

However I found trying to photograph landscapes in the Carolinas with a prime lens too difficult.  Other than the coast…we have few wide-open areas that allow you to frame a composition easily by moving around.  This is nothing against the lens but more a function of the subjects I’m photographing.

18mm, 1.6 sec at f/16, ISO 100

Also I did not like the manual focus-by-wire feedback, especially for night photos.  Manual focusing in the dark is hard enough through the Sony’s electronic view finder but I felt like I never knew how much the focus would adjust every time I turned the focus ring.

18mm, 10 sec at f/2.8, ISO 400

While I was happy with the images I did get with the lens, I only used it when I thought I needed it.  I'm sure I missed some shots where I could have used it creatively but not in a safe spot or just too lazy to swap it out.  Therefore I've sold it in favor of a 16-35mm f/2.8 zoom.  The convenience of the zoom allows me the freedom to create more of the composition I want.

18mm, 20 sec at f/2.8, ISO 800

Happy trails Zeiss Batis 18mm f/2.8 lens...a great lens but too specialized for this photographer.

Poinsett Bridge

An interesting historical subject in the Upstate foothills that is really too easy to get to.  The bridge has an interesting history, constructed in 1820 as part of a road to link Charleston and Columbia to Tennessee, made possible by Joel Poinsett (US Ambassador to Mexico and bringer of the poinsettia flower to the US) and designed by Robert Mills architect of the Washington Monument.

Flash with 1/2 CTO gel under the bridge.

Flash with 1/2 CTO gel under the bridge.

Easily found by Google maps the bridge is directly across the road from the large parking area.  I always prefer a bit of adventure and exercise leading up to a photographic location so this area is a bit of a letdown.  However it does make for easy last minute trips and playing with lighting gear that is otherwise a pain to carry for miles.  Upstream from the bridge is a nice little cascade which I couldn't resist.